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With its unique and ingenious devices, 42nd Street Ballroom is truly a prize of its time. In 1983, the ball machine was installed in the lobby of the Port Authority Bus Terminal in New York City, welcoming travelers with its curious sounds and striking visuals. At that time, 42nd Street Ballroom was the largest and most complex sculpture Rhoads had created, and the piece ushered in a period of a prolific production of larger pieces. In 2014 Creative Machines restored the ball machine to its original pristine condition. 

42nd Street Ballroom features over 15 devices that range in function from producing bell and chime sounds to ensuring the random movement of balls. 24 billiard balls roll through the track along 4 separate paths. The sculpture operates with a timer, but the new machine also features a push-button that allows visitors to activate the balls at any time. Through its time at the Port Authority, 42nd Street Ballroom has become a well-known attraction for visitors of the terminal and a classic example of Rhoads’ artwork.

Date:

1983, 2014

Location:
Port Authority Bus Terminal, New York, NY

Dimensions:

8' x 8' x 8'

Artist:

George Rhoads

Restored by Creative Machines

42nd Street Ballroom

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COPYRIGHT © 2024

Creative Machines Inc.

4141 E. Irvington Rd.

Tucson, Arizona 85714

LAND ACKNOWLEDGEMENT

Our Creative Machines shop is located on the ancestral lands of the Tohono O'odham Nation. We are nestled in the heart of Tucson, Arizona, a vibrant, culture-rich city, both presently and historically. This land was home to some of the earliest people in North America, the Hohokam, and we honor and respectfully acknowledge the indigenous nations that have stewarded this land since time immemorial. Today, Arizona is home to 22 federally recognized tribes, with Tucson being home to the Tohono O’odham and the Pascua Yaqui Tribe.

SUSTAINABILITY STATEMENT

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